This thrilling West End production is THE genre-defining murder mystery
from the best-selling novelist of all time... case closed!
Book direct and book with confidence, with no quibble exchanges.
Performances now on sale until 27 September 2025
This thrilling West End production is THE genre-defining murder mystery
from the best-selling novelist of all time... cast closed!
Book direct and book with confidence, with no quibble exchanges.
This thrilling West End production is THE genre-defining murder mystery from the best-selling novelist of all time… case closed!
As news spreads of a murder in London, a group of seven strangers find themselves snowed in at a remote countryside guesthouse. When a police sergeant arrives, the guests discover – to their horror – that a killer is in their midst! One by one, the suspicious characters reveal their sordid pasts. Which one is the murderer? Who will be their next victim? Can you solve this world-famous mystery for yourself?
For over 70 years, AGATHA CHRISTIE’S THE MOUSETRAP has kept millions of people from every corner of the globe on the edge of their seats.
HAVE YOUDUNNIT?
The house will open 30mins before the performance start time.
The dress circle Bar is open for pre-show drinks, comestibles and chit-chat 1 hour before performance starts.
If you entered a mobile number when booking your tickets, you should receive a text with the tickets attached 24 hours before your performance time. If you selected print-at-home tickets, the should also be emailed to you 24 hours before. If you selected to collect at the Box Office, you can collect in person anytime during the incoming on the day of your performance.
The performance starts promptly at the time shown on the ticket (7.30pm Monday to Saturday, 3pm on Tuesday, Thursday and Saturday). The Dress Circle Bar opens 1 hour before the start of the show and the Auditorium 30 minutes before the start of the show.
The show is 2 hours and 20 minutes; this includes a 20-minute interval.
There is no dress code, although we advise patrons to wear something comfortable as sitting for the duration of the performance can be quite restricting.
There is currently no cloakroom. We can only admit small items & bags that fit underneath, or in front of, the seats in the auditorium.
There is a bar on every level serving snacks and a wide range of beers, wines, spirits, soft drinks, and bespoke cocktails created by Bottle Proof. Why not treat yourself to our specially commissioned Mousetrap Gin from award-winning gin makers 58 and Co.
If you entered your mobile number when booking, you will receive a text message with a link which will allow you to pre-order drinks from 24 hours before the performance time.
Light snacks are permitted and can be purchased in our kiosk & bars. Drinks purchased at the bar can only be taken into the auditorium in plastic cups, which are provided. Hot food and drink is not permitted anywhere in the theatre.
Customers can purchase our merchandise range from the Kiosk, and programmes can also be purchased and stamped with the performance number there too.
There are no lifts at this theatre. If you have mobility and/or any specific access requirements, please call the box office on 020 7836 1443.
Please contact Theatre management to enquire about lost property. They can be contacted on 0207 497 0578 or by emailing [email protected]
The recommended age for the Mousetrap is 7 years and above. Children under school age will not be permitted entry, and those under the age of 16 will not be permitted entry into the auditorium without an adult present. All children must have their own ticket.
Unfortunately, we cannot offer this to our patrons due to the traditional nature of the show.
It is possible to meet the cast outside our Stage Door following the performance. Please be aware that performers may be in a hurry at times but will usually try to make time to chat and sign autographs.
Not now – but we are working on it.
Please note that it is strictly forbidden to take pictures of the action on stage when the curtain goes up. However, we are happy for you to take pictures inside the auditorium of the theatre before the show begins. Please do feel free to share them on social media, with the hashtag #keepthesecret.
Theatre credits include: Witness for the Prosecution (Eleanor Lloyd Productions); A Spider’s Web, The Diary of Anne Frank, Love from A Stranger (Tabs Productions); Strictly Murder (Hello World Productions); Boeing Boeing (ABA Productions, Hong Kong); Rope & Equus (talkingScarlet); A Murder is Announced (National Tour); Sylvia Plath’s Three Women (Assembly Rooms & Inside Intelligence); And Then The Room Was Plunged Into Darkness (Barbican).
Screen credits include: Insomnia (Paramount+); Lewis (ITV); Off-Piste (SIFF & Chelsea NYFF Best Actress); The Waterhouse; The Draw; War of the Worlds; Blackbird; The Pugilist.
Radio credits include: Alfie (BBC); Doctor Who, Callan, The Avengers, Space 1999 (Big Finish); The Merchant of Venice (RBM Productions).
Training: Central School of Speech and Drama
Theatre credits include: The Play That Goes Wrong (Duchess Theatre); Cluedo (UK Tour); Cockfosters (Turbine Theatre); A Midsummer Night’s Dream, Twelfth Night, The Taming of the Shrew, and Richard III (Pop-Up Globe); The Great Gatsby (Lakeside Arts Theatre).
Screen credits include: 800 (Movie Train Motion Pictures); Saving Penelope (Jacco Macacco Films); BROASIS (Tiny Speck Productions); Fox in the Night ( Real Films/Channel 4).
Training: Oxford School of Drama and Ecole Philippe Gaulier.
Theatre credits include: The Haunting (New Vic); Mother Goose (Duke of Yorks/Tour); Wendy and Peter Pan (Leeds Playhouse); Romeo and Juliet (Regents Park Open Air); Don Quixote (RSC/Nimax); Dr Faustus, The Alchemist (RSC/Barbican); One Man Two Guvnors (New Wolsey/Nuffield Southampton); Iolanthe (ENO); Play 29 (Vault Festival); Twelfth Night (Flute); A Midsummer Night’s Dream (Squerryes Court).
Television credits include: Doctors; Harlots; Shakespeare Live! From the RSC.
Film credits include: Napoleon; Dumbo; Teen Spirit.
Theatre credits include: The Best Exotic Marigold Hotel (National and International Tour); Soldier On; Kerbs; Much Ado About Nothing.
Television credits include: EastEnders (BBC); Casualty (BBC); Emmerdale (ITV); Patience (Channel 4); Hollyoaks (Channel 4); The Full Monty (Disney+);
The Undeclared War (Channel 4) & Trying (AppleTV).
Film credits include: Picture This; Dream Horse; Tomb Raider; Polite Society.
Theatre credits include: Land of the Free (Southwark Playhouse); Murder in the Dark (Tour); Witness for the Prosecution (London County Hall); The Iceman Cometh (Almeida Theatre/Old Vic); An Inspector Calls (West End); Market Boy, The Royal Hunt of the Sun (National Theatre); Antony and Cleopatra, Timon of Athens, The General from America, Henry VI parts 1, 2 and 3, Richard III (Royal Shakespeare Company); A Day in the Death of Joe Egg, Wars of the Roses (Rose Theatre Kingston); Roots (Manchester Royal Exchange); Copenhagen (Royal Lyceum); Way Upstream (Derby Playhouse); In The Next Room (The Vibrator Play) (St James Theatre); Much Ado About Nothing (Ludlow Festival); Antony and Cleopatra, Tiger Tail (Nuffield Theatre); Desire Under The Elms (New Vic); Taming of the Shrew, A Midsummer Night’s Dream, Two Gentlemen of Verona (Guildford Shakespeare Company); Hedda (Palimpsest); Kalashnikov (Pursued By A Bear); Slaves (Theatre 503).
Film credits include: The Upside of Ange; She’s Gone; Hedda.
Television credits include: House of the Dragon; Outlander; You Me & Them; Doctors; Trial & Retribution; Dream Team; Spooks; Armadillo; Bad Girls; In the Name of Love; Family Affairs; The Bill; Birds of a Feather; The Professionals.
Training: Central School of Speech and Drama.
Recent credits include: Queen at the Edinburgh Fringe Festival.
Further stage credits include: The Changing of the Guard (Jermyn Street Theatre); Alice’s Adventures in Wonderland, Stockholm, Henry VI, The Mysteries (all with Playbox Theatre).
Television credits include: Doctors (BBC)
Training: Bristol Old Vic Theatre School.
Theatre credits include: Accolade (Theatre Royal, Windsor & Tour); Horrible Histories: Barmy Britain (Birmingham Stage Company); The Da Vinci Code (UK Tour); An Inspector Calls (UK Tour); Séance (The Other Palace); Sherlock Holmes and the Crimson Cobbles (The Theatre, Chipping Norton & Tour); Night Must Fall (Salisbury Playhouse & Original Theatre); A Little History of the World (Watermill Theatre & Tour); Urinetown: The Musical (Apollo Theatre & St. James’s Theatre); Richard III and The Pride (Jamie Lloyd Theatre Company, Trafalgar Studios); A Christmas Carol, A Midsummer Night’s Dream, Romeo & Juliet and The Importance of Being Earnest (London Touring Players), Macbeth (Lord Chamberlain’s Men), Newsrevue (Canal Cafe Theatre) The Lost World (Bristol Old Vic).
Screen credits include: We Hunt Together (BBC/UKTV); Ghostbusters: The Gates of Gozer (Secret Cinema); Casualty (BBC); The Cost of Living (Rhyming Films) and Harry Potter and the Philosopher’s Stone (Warner Bros.)
Audiobooks include: ‘Dark Star: A Biography of Vivian Leigh’ and ‘Beyond the 39 Steps: A Life of John Buchan’ for Bloomsbury.
Training: Royal Central School of Speech and Drama
Theatre credits include: Laughing Boy (Jermyn Street Theatre) Noises Off (Birmingham Rep & UK Tour) Mr Burns: A Post-electric Play (Derby Theatre); Surfacing (The Vaults); When Darkness Falls (UK Tour); Private Peaceful (Nottingham Playhouse & UK Tour); Once Upon A Time In Nazi Occupied Tunisia (Almeida Theatre); I Don’t Dance (So&So Arts); AAAAA (Lion & The Unicorn); Horseshoes For Hand Grenades (East Riding Theatre); Bromley Bedlam Bethlehem (Old Red Lion); Me And My Left Ball (Tristan Bates Theatre).
Television credits include: Doctors (BBC).
Film credits include: The Batman (Matt Reeves); Cost of Living (Ryan Hogan).
Audio credits include: A Kestrel For A Knave (BBC Radio 4).
Training: Guildford School of Acting & The BRIT School
Theatre credits include: The Big BiteSize Breakfast Show (The Pleasance); Sybil Evers, Chariots of Fire (Frinton Summer Theatre); Kitty, Taking Steps (OSO Theatre); Ensemble, The Malarkey Chronicles (Upstairs at The Gatehouse); The Bright Bright Black (RADA & Criterion Theatre); Jennet Device, The Lancashire Witches (The Glitch); Fairy Bowbells, Dick Whittington (Godalming Borough Hall); Jane Downing, The Last Post (UK Tour); Sorrel Saxon/Tracy Taylor/Julie-Ann Jobson, Damsels in Distress Trilogy (Theatre Royal Windsor); Sarah, Without – New Musical (Underbelly Edinburgh Fringe); Evelyn, Absent Friends (OSO Theatre); Lucy, The Government Inspector- MT Fest (The Turbine Theatre); Harriet Smith, Emma (Manor Pavilion Theatre); Ela Delahay, Charley’s Aunt (Manor Pavilion Theatre); Ensemble, Jane Eyre (The Minack Theatre); Guinevere/Morgan La Fay, The Tales of King Arthur (Hobgoblin Theatre Company).
Training: Webber Douglas
West End credits include: Understudy on The Woman in Black (Fortune) and The Mousetrap (St Martins Theatre). He has also worked in Stockholm for the last 20 years in A Christmas Carol.
Other stage work includes: Fiddler on the roof; South Pacific; Twelfth Night; Pravda; A Chorus of Disapproval.
Radio and TV roles include: Vicars; Football Referees; Tax Inspectors and other pillars of the community!
Clive currently volunteers for a drug and alcohol treatment charity, Resolve.
Training: The Liverpool Institute for Performing Arts
Theatre credits include: The Mousetrap (St. Martins Theatre); Suitcase Shakespeare (UK Tour);
Blockbuster (Key Theatre, Peterborough); Wild Boy (UK Tour).
TV & film credits include: Brexit – The Uncivil War; Henry VIII and the Men Who Made Him.
Workshops include: The Mysteries of Milton Hall (The National Theatre)
Richard is an Artistic Associate with Lamphouse Theatre.
Training: Guildford School of Acting
Theatre Credits include: The Mousetrap (St Martin’s Theatre); Macbeth: A Tale of Sound and Fury (6FootStories/Brighton Fringe; A Christmas Carol, Carrie’s War, Our Town, Blue Remembered Hills (Apollo Theatre Company/Yvonne Arnaud Theatre), Macbeth, A Midsummer Night’s Dream (Shooting Stars Theatre Company), Back to Back, Flickbook (Poleroid Theatre/Theatre 503/White Bear).
Ben has also toured extensively with the award winning Ten Ten Theatre and the Young Shakespeare Company and has starred in several short films with The Lacuna Works.
West End credits include: The Mousetrap (St. Martin’s Theatre), Les Misérables (Palace Theatre), Starlight Express Vocal Booth (Apollo, Victoria), The Sound Of Music (Sadler’s Wells).
Other stage credits include: Sondheim’s Road Show (Union Theatre), A Dolls House (Barons Court), 84 Charing Cross Road,, Shakespeare’s Fools and Horses (St Paul’s Church, Covent Garden) and played Mother Christmas for Lapland UK.
Concerts include: Les Misérables 10th Anniversary (Royal Albert Hall), Les Misérables 25th Anniversary (O2 Arena), and Lesley Garrett’s Travelling Light tour.
T.V. credits include: EastEnders, (BBC), The Great Plague (Discovery).